Posts Tagged With: traditional arts

A fresh StART to 2015

With 2015 on our doorstep, now is the time to take your greatest wishes and make them into tangible goals. We’ve created a list of resolutions to help you get started on a banner year. Use our list to make your own, catered to your dreams and aspirations.

*Make more time for your art
Prioritize, people! Don’t let your projects get crowded and shuffled out. Use a specific timetable or format so you won’t forget.
It might be a good idea to have a calendar in a place you visit a lot. You could make every Tuesday at noon your sketch time (or whatever usually gets shuffled out of your weekly tasks). That way, you know that when you wake up on Tuesdays…yay! It’s sketch day!
Even if it’s only a couple of hours a week…write it down on the calendar, and in permanent ink! Whatever the task is, make it the same day and time so nearly everything you do will eventually become a habit.
You may need to enroll in a class so others will hold you accountable. This could also help you get back to the basics and help you remember why you fell in love with the craft in the first place. Search our online directories to find other artists like you and contact them.

*Apply for more fellowships & grants
There are lots of opportunities out there, and no reason why you can’t apply to at least one fellowship or grant this year. To find opportunities from us, visit our website. At the top, right corner, you’ll see the “Grants” tab. Take a look around. If you have a question on one of the opportunities, find the program director responsible. Call and/or email them. It’s our job to help you.

*Network more…face to face
This may sound scary…but get out there! In every single session of the Creative Industry Summit, each speaker reiterated over and over how important it is to get conversations going about art in our communities.
Make it a point to attend events, like Kentucky Crafted: The Market, as a vendor or a shopper. Either way, I’m sure those there, or at any event, wouldn’t care to give you tips of the trade. Try not to see them as competition, but comrades. Check our online calendar for upcoming events you might like to attend. You can also go to our home page and hover your cursor over the first tab, “Kentucky Art”, then “Experience the Arts” for some.
I would also make a point to visit art retailers around the state. Click this link for a list of our Kentucky Crafted Retailers. Talk to them! Network! Share war stories!
Also, don’t think you have to attend events catered specifically to your craft. You could attend something different. For example, if you’re a painter, attend Poetry Out Loud. You never know, it could help you find inspiration for your next project.

That brings me to my next suggestion…

*Get out of your comfort zone
Make it a point to do at least one project a week that’s different than what you would usually do. This may mean a different genre, or use a different canvas size, etc.

When you do…

*Post your work online
This includes your personal websites, blogs and social media pages. Post the good, the bad and the ugly and ask for others’ opinions to get a conversation started. Post the entire process and ask for “help” on what to do next. You never know, your fans may even want to buy something because they’re proud they helped you in the process. They may want to invest in your creativity.

Share your resolutions with us in the comments of our blog, or on our social media pages!

Megan Williamson Fields, communications assistant

Categories: Other | Tags: , , , , , , ,

Remembering our great ones

The problem with a being an arts administrator is that you spend so much time administering the arts that you have little occasion to enjoy them. Wonderful opportunities offered by our Kentucky Arts Partners and program artists pass over our desk, and we lament not having the time to attend or participate in all of them.

We are pleased to report that this year, the planets aligned in such a way that we will be able to join the celebration during the Living Arts and Science Center Day of the Dead Festival at the Old Episcopal Burying Ground in Lexington.

We are creating an altar honoring late Kentucky artists with Kentucky-centric ofrendas. Our intention is to be faithful to the spirit of the traditional Dia de los Muertos celebration, while offering a cross-cultural interpretation that is also true to the Commonwealth. We look forward to learning and sharing on Nov.1 and, of course, having some fun.

 John Tuska style papel picado

Papel picado we made in the style of John Tuska, one of Kentucky’s great artists.

We will feature photos of artists who have passed like Rosemary Clooney, Bill Monroe, Rude Osolnik, Skeeter Davis, James Baker Hall and many others. Ofrendas will include all those foods and items a Kentucky artist might miss if far from home.

Heine Brothers’ Mexico Maya Vinic

There are layers upon layers of meaning in this offering of Heine Brothers’ Mexico Maya Vinic.

It’s inspiring to watch a Day of the Dead celebration become a part of the annual fall landscape in Lexington. This holiday from another country and culture certainly has resonance in a new home. This is likely because the participants — whether first –generation Kentuckians or tenth-generation Kentuckians — place a strong value on remembering those who came before. Nowhere is this value more evident than in our art. You can hear it in our musician’s songs and read in our author’s words. Kentucky’s strong sense of place has as much to with people who walked it and were inspired by it throughout their life, as it does with the land itself.

Sarah Schmitt, arts access director

Categories: Folk and Traditional Arts | Tags: , , , , , , , ,

The dulcimer gets its due

The Homer Ledford Dulcimer Festival kicks off this weekend, Aug. 29-30. Then, get ready for the Hindman Dulcimer Homecoming, Nov. 6-9. What is all this festivity about, you say?

As stringed instruments go, the Appalachian mountain dulcimer is a recent development. The curvy, wooden instruments designed to rest on the player’s lap emerged in 19th-century Appalachia, borrowing characteristics from older European instruments. The dulcimer’s visual and tonal beauty, ease of tuning, portability and durability made it a popular vehicle for musical expression throughout the region. Kentucky has been a dulcimer hub thanks largely to the late-1800s dulcimer patriarch Uncle Ed Thomas of Knott County, and the 20th century’s innovative and influential Homer Ledford of Winchester. Today, enthusiastic communities of dulcimer players and listeners exist all around the world.

Master luthier Doug Naselroad just completed a Kentucky Arts Council Folk and Traditional Arts Apprenticeship, teaching apprentice Mike Slone the techniques and culture behind dulcimer building.

Sit back a few minutes with this video and hear their story about discovering their personal connections to dulcimer history, and how their work together over the last year is having a big impact on Kentucky communities.

Mark Brown, folk and traditional arts program director

Categories: Folk and Traditional Arts | Tags: , , , , , , , , ,

Scarecrows have invaded downtown Scottsville, Ky.

They have taken over the square. Big scarecrows, little scarecrows, hug-ably soft scarecrows and pointy-toothed scary scarecrows are all frozen in their own autumnal tableaux.

This annual assemblage is a great example of a living folk art tradition. Individuals, organizations and businesses join in the fun and express their aesthetics right in the heart of the city.

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Learn more about the Scottsville Scarecrow Invasion here.

How does your community celebrate this time of year? Share comments below.

Thanks, Scottsvillians, for this wondrous display. Also, congratulations to your newly-certified Kentucky Community Scholars who are working to identify and celebrate more folk art forms and heritage in the area.

Mark Brown, folk and traditional arts program diector

Categories: Folk and Traditional Arts | Tags: , , , , , , ,

2013 Governor’s Awards in the Arts: Ed White

Meeting River City Drum Corps Founder Ed White, of Louisville, was one of the best experiences I had while interviewing the 2013 Governor’s Awards in the Arts recipients. I was energized for weeks after my conversation with Ed and kept referring back to my interview with him to reread some of the wisdom he shared with me.

Ed grew up in Louisville’s west end. As a child he was drawn to the arts but did not have ample opportunity for participation. Due to his involvement with a local Boys Club, he was naturally exposed to sports and played for years, even though his heart wasn’t in it. Ed eventually ended up being a director at a Boys Club and found it was still a sports-focused atmosphere. He decided it was time to incorporate the arts into the system, making art available at the same level as sports. During the next few years, with opportunities to learn through programs like Arts Reach Kentucky, Ed developed the tools he needed to start the River City Drum Corps.

I talked to Ed for more than two hours the day we met. I think if he hadn’t had other things to do, I’d still be there talking with him. What you will read in this interview about the drum corp barely makes a dent in Ed’s personal story and experiences. It is without pretense I say: Ed White, the 2013 Governor’s Awards in the Arts Folk Heritage Award recipient, makes me proud to be a Kentuckian.

What is the process like when kids sign up for the River City Drum Corps? What do they learn?

The first thing they learn is discipline. The first thing I have to do is get them to be able to stand still before I can teach them anything. After they get over that learning curve, we deal in drum making. Usually you have to be in drum corps a year before you get to make your drum. Then we start talking about African history and culture. We have a culture class every other Saturday, which is mandatory for them to come and to learn history, to learn culture, to learn games to let them understand the value of the team concept. It’s not a team concept where we have super stars, where everybody doesn’t get to play. It’s a concept where everybody is a part of the process and you rise through grasping the process. Our method is, we use the students as teachers. So we’re constantly teaching, I call it teaching down. As you teach down, the children grow up. And as they grow up, they’re continually teaching down. So the process keeps continually revolving around the idea, so that each child has ownership. It’s leadership development. It’s a leadership development program using arts and culture. They become the show managers, they become the booking agents – it’s the process of teaching them how the drum corps works. Basically, all I do now is just drive them – some shows I don’t even go in the building – so that they understand and they grasp the concept of the energy and power they have within themselves.

Why is it important to make your own drums instead of purchase drums?

It connects you to the culture. The drum in Africa is the foundation of culture. Celebrations, births, deaths, weddings, war, planting, harvest season. The drum is the foundation of life, ceremonies and culture. When I was in Ghana, I went to Tamale to meet with this group called the Tamale Youth Group. They do the same thing I do with the drums. They use it to teach children as a foundation, so their culture doesn’t get lost because of the influences of Western society. So they teach children to make drums, but also they teach them the purpose of the drum – they teach them to make fabric, to tie-dye – the whole thing about their culture, with the drum as the foundation of it. When you make things you tap into the creative spirit. So when a child takes raw materials and fashions this drum, then their spirit is connected to it. Again, that’s the power of art. The power of art is the connection of your spirit to whatever image you create. That’s what that’s about; that’s the reasoning, why. Once they do it, ownership is created.

Tell me a little about the kids who are in the drum corps.

I have children from all over the city, from all socioeconomic backgrounds. You know you hear people say ‘at-risk.’ But everybody’s at-risk, because all of us are one or two paychecks away from being out on the street. The gamut runs large and very diverse on the backgrounds of children that I get. Everybody’s looking for something and this is something that they find.

Because they are able to participate in the River City Drum Corps, what opportunities are available to them that weren’t available to you? You talked earlier about how the emphasis was on sports, but your heart was in the arts. Was it important to you to create those opportunities you didn’t have?

Yes. See, I couldn’t afford drumming. That was something I knew I couldn’t do, but it was easy for sports. Buying instruments was something that would not happen. But my mother could take her children to the Boys Club and everybody would get something.

There are so many things we do that get our children out of our community, so they see different things, they see different people. They understand it’s a different world out here.

Can you reflect on how the River City Drum Corps has been important to you personally? What personal achievements have you experienced?

When children that the world said “they can’t make it,” make it.

I look at my children who are first-generation college graduates. I look at them who have gone to school for free. I look at a young man who was from a family of superstar athletes. I see families who understand the power of education and drive their children to succeed, to grab it.

I’m glad that I met Bob Gates (former state folklorist). Bob Gates was one of the few people that I know who understands the power of culture. And he understands it. If we could get more people to understand the power of culture we could solve a whole lot of problems.

This work for me is my purpose. I’ve done a whole lot of things. I was a welder. I rebuilt cars. I worked in the atomic energy plant reprocessing uranium to build bombs. I’ve done several other little loose jobs. All of the rest of them, with the exception of maybe photography, was without purpose. This is my purpose.

Emily B. Moses, communications director

Categories: Performing Arts | Tags: , , , , , , ,

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